The Awakening

The dream began like all dreams – shrouded in magic and mystery.

My black haired sister and I walk hand in hand as we head for the dark woods. The deep silence of the forest quickly descends and we are swallowed by the vast network of trees. Entering a large open glade lit by the pearlescent glow of the full moon, we lie down on a moss covered stone and fall asleep, entering the dreamscape as one. In the dream we stand in a large meadow in the middle of a forest. The full moon casts her alabaster net strewn with stars across the firmament, her luminous halo transforming the scene into a mythical landscape of unparalleled beauty. Soon we are confronted by a massive wild boar with ivory tusks who charges at us and carries off my beloved sister. Overtaken with fear, I awaken from the dream to find that my sister is gone.

I rouse myself from the dream, confused and disoriented. Who is this dark sister of mine and what happened to her? Her tortured cries as the beast carried her away linger in my head. Glancing at the clock on the table beside my bed, I see that it is only five minutes past midnight, the witching hour. Dare I return to the land of sleep? Can I save this mysterious sibling of the murky moon? And how does one go about such heroic efforts with wild beings who inhabit the shadow realms?

My heart beats a staccato rhythm against my chest wall as I contemplate this scenario. Fearful of facing the moon beast again, I decide to get out of bed and read for a bit. I pad my way into the pitch black confines of my kitchen looking for a glass of wine to calm my nerves. Not wanting to blast myself back into full consciousness with overhead incandescent light, I grope my way along the granite counters until I find the bottle of red wine where I left it earlier. Somehow just holding onto the dark vessel gives me a small measure of comfort, as I slowly begin to orient myself back into non-dreaming reality.

I hold the cool glass of ruby liquid close to my heart as I tiptoe out of the kitchen and into my living room, where I search the bookshelves for something to occupy my thoughts. The fact that I stand here bathed in moonlight – that same crown of light that highlighted the inexplicable kidnapping I just witnessed – does not escape me. Blindly I let my fingers play along the spines of the books before choosing a thin volume of unknown title.

Both hands now fully occupied, I take a seat on my red velvet Victorian couch and sigh deeply. Setting the wine glass and book on the coffee table, I lean back against the plush red and purple pillows and gaze up at the ceiling while trying to whisk away the cobwebs of dream memory in favor of some concrete facts – like I’m here, now, safe, now, in my home, now, no wild-eyed monsters here.

Some moments later, feeling a little less anxious, I take a long sip of the Italian wine savoring its warm slow journey down the pipe of my esophagus and into my solar plexus. Exhaling fully, I let my eyes wander over to the chosen volume still lying on the table. I lean forward to position the glass of wine next to the book as my consciousness wavers between realism and mysticism. Placing my right hand on the green cover, I close my eyes and bring the text onto my lap. The trepidation of facing yet some new additional horror makes me nervous about opening the novel. But I am fully awake, I remind myself, fully awake and safe at home.

Determined to conquer the demons who occupy my mind, I grasp the hardbound copy with both hands and open my eyes to read the title. Werewolves of London screams silently back at me, my eyes wide with fear and shock. Quickly I drop the bewitched volume back onto the table and gulp down the remaining wine as I careen violently between nightmare and sleep, magical beings and concrete facts, bewitchery and reality.

Leaving the book and the now empty glass of wine on the antique wooden table, I race back into the bedroom and dive under the bedclothes seeking safety and comfort. How much time passes, I do not know. But I eventually find myself dreaming once again.

I am asleep on the moss covered stone in the moonlit garden. The sound of some savage creature barreling through the underbrush awakens me. Holding my breath and casting my eyes about for a place to hide, I spot the white tusked wild pig with beady, red-rimmed black eyes. He stands at least 6 feet tall and his breath fogs the air about him with the smell of rotting flesh. Motionless, he remains standing at the edge of the forest, simply staring at me.

The entire jungle goes silent as the censorship of death and rebirth takes charge. No more chattering cicadas, no more rustling branches, no more hooting owls. Just the stillness of graveyards and timeless journeys into space. Spinning out of control as my thoughts try to grasp the scene unfolding before me, I am stunned to see my dark haired sister seated upon the back of the beast, smiling at me. She wears a mask of exquisite beauty, black and red sequined feathers glittering in the moonlight as they frame her own ebony eyes. The scene fades as I lose consciousness.

Later I awaken to find a bag made of animal skin and filled with masks. As I spill the contents onto my green carpeted bed of stone, a group of women gather in a circle, dancing before me, their black and red feathered veils shimmering in the pale light of the moon.

I awaken in my bed, the morning sun peeking around the window frames and brightening up my room. Lying on top of my bedspread sits a black and red feathered mask dotted with sequins and crystals.

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About the Author

Kathy Call Martone is a Jungian psychologist, currently retired and living in Eureka Springs, a small Victorian town in the Ozark mountains. Martone is also a writer and artist. Mysticism is a favorite topic of hers and she loves to weave images, fantasy and the metaphysical into her art and writing. Still Not Dead Yet was published in Not Dead Yet 2: Words to Live By (Cahaba Press, November 2020). Available at Amazon and better bookstores everywhere.

Kathy Martone
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